{"title":"Rhino High Fidelity","description":"","products":[{"product_id":"buckingham-nicks-rhino-high-fidelity","title":"Buckingham Nicks (Rhino High Fidelity)","description":"\u003cp\u003e\u003cstrong\u003eAAA Cut From The Original Stereo Master Tapes By Kevin Gray\u003cbr\u003ePressed On 180-Gram Heavyweight Vinyl At Optimal\u003cbr\u003eHeavyweight Glossy Gatefold Jacket\u003cbr\u003eFeatures An Exclusive Insert With New Liner Notes From David Fricke In Conversation With Stevie Nicks And Lindsey Buckingham\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLimited Numbered Edition Of 5,000\u003cbr\u003eExclusive To Rhino.com\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e“[We] knew what we had as a duo, two songwriters that sang really well together. And it was a very natural thing, from the beginning.” - Stevie\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003e “... it stands up in a way you hope it would, by these two kids who were pretty young to be doing that work.” - Lindsey\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eBUCKINGHAM NICKS, the only studio album by Lindsey Buckingham and Stevie Nicks as a duo, will be reissued for the first time on September 19. Originally released in 1973 and unavailable for decades, the album has been sourced from the original analog master tapes for its long-awaited return to vinyl.\u003c\/p\u003e\n\u003cp\u003eReleased on September 5, 1973, BUCKINGHAM NICKS quickly faded from commercial view but never disappeared from the cultural conversation. Recorded at Sound City Studios in Los Angeles and produced by Keith Olsen, the album introduced Nicks and Buckingham’s tightly wound harmonies and sharply contrasting songwriting voices across 10 tracks—ranging from the folk-rock shimmer of “Crystal” to the sunbaked strut of “Don’t Let Me Down Again.”\u003c\/p\u003e\n\u003cp\u003eIts legend only grew with time. In late 1974, Mick Fleetwood visited Sound City while scouting studios to record Fleetwood Mac’s next album. To showcase both his production work and the studio’s sound, Olsen blasted “Frozen Love” for Fleetwood in Studio A. The song reflected the full scope of the album’s ambition and chemistry—and immediately caught the drummer’s attention.\u003c\/p\u003e\n\u003cp\u003eSoon after, when Fleetwood Mac guitarist Bob Welch left the band, Fleetwood reached out to offer Buckingham the spot. Instead of agreeing, Buckingham insisted that he and Nicks were a package deal. Fleetwood agreed, and on New Year’s Eve 1974, the two officially joined Fleetwood Mac — launching one of the most celebrated chapters in the band’s history.\u003c\/p\u003e\n\u003cp\u003eThough their work with Fleetwood Mac would eclipse it commercially, BUCKINGHAM NICKS endures as a testament to what came just before: a partnership in full creative bloom.\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eABOUT THE RHINO HIGH FIDELITY SERIES\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003eRhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging.\u003c\/p\u003e\n\u003cp\u003eTo ensure consistent sonic excellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. The releases boast high-quality glossy covers and “tip-on” jackets, an old-school aesthetic that evokes the golden age of vinyl.\u003c\/p\u003e","brand":"Buckingham Nicks","offers":[{"title":"Default Title","offer_id":46433859305608,"sku":"603497813650","price":40.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7968\/9096\/files\/BuckinghamNicks_HiFiExploded_limitedEdition.png?v=1787352038"},{"product_id":"zz-top-from-the-top-1979-1990-rhino-high-fidelity-5lp-boxed-set","title":"ZZ Top - From The Top: 1979-1990 (Rhino High Fidelity) (5LP Boxed Set)","description":"\u003cp\u003e\u003cstrong\u003eAAA Cut From The Original Stereo Master Tapes By Kevin Gray\u003cbr\u003ePressed On 180-Gram Heavyweight Vinyl At Optimal\u003cbr\u003eHeavyweight Glossy Gatefold Jackets, Faux Leather Hardshell Slipcase\u003cbr\u003eFeatures Detailed Liner Notes By James Austin In Conversation With Frontman Billy Gibbons\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eLimited \u0026amp; Numbered To 3,000\u003cbr\u003eAvailable Now, Exclusively At Rhino.com\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*This set is limited to two per customer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eZZ Top delivers the fireworks on July 4 with FROM THE TOP (1979–1990), a limited-edition collection from Rhino High Fidelity (Rhino Hi-Fi) that trails the Texas trio on the road to worldwide fame. Following the first volume’s sellout last year, the sequel features five albums from the height of the band’s mainstream success - FROM THE TOP (1979–1990) includes DEGÜELLO (1979), EL LOCO (1981), ELIMINATOR (1983), AFTERBURNER (1985), and RECYCLER (1990). \u003c\/p\u003e\n\u003cp\u003eFROM THE TOP (1979–1990) picks up as the band entered a new decade—one where their sound expanded, their videos took over MTV, and their beards grew right along with their fanbase. After a brief hiatus, ZZ Top returned in 1979 with DEGÜELLO, a looser record built around funkier grooves like “Cheap Sunglasses,” with its staccato backbeat and crescendo of “oh yeahs.” Their version of Sam and Dave’s “I Thank You” became a fan favorite, Gibbons says in the album’s liner notes. “Our cover emerged unabashedly with a one-take stab onto the tape machine, and the tale was told and remains a recurrent requested number on stage and over radio stations everywhere.”\u003c\/p\u003e\n\u003cp\u003eThey scored a Top 20 hit in 1981 with EL LOCO, which introduced classics like “Tube Snake Boogie” and “Pearl Necklace.” The trio kept one foot in the blues while experimenting with new sounds, telegraphing their next move with synths on “Groovy Little Hippie Pad” and processed drums on “Party On The Patio.”\u003c\/p\u003e\n\u003cp\u003eReleased in 1983, ELIMINATOR marked a seismic shift for ZZ Top, blending their blues-rock foundation with driving tempos, synthesizers, and airtight songwriting. The album became a phenomenon—Diamond-certified, spending over two years on the charts and delivering a trio of massive hits: “Gimme All Your Lovin’,” “Sharp Dressed Man,” and “Legs.” Backed by a striking run of MTV videos, the band reached a new generation of fans and became unexpected pop culture icons.\u003c\/p\u003e\n\u003cp\u003eAFTERBURNER followed in 1985, pushing the synth-driven sound even further. Tracks like “Sleeping Bag,” “Velcro Fly,” and “Rough Boy” kept the band on heavy radio rotation, while the album climbed to #4 on the charts and was certified five times platinum in the U.S. alone. “So many wacky gadgets suddenly seemed to appear in the studio,” Gibbons recalls. “The temptation of experimentation took us all in… and some satisfying mayhem unfolded. And that’s defiantly rock ’n’ roll.”\u003c\/p\u003e\n\u003cp\u003eRECYCLER arrived in 1990, opening a new decade with a Top 10, platinum-certified exclamation point. Tracks like “My Head’s In Mississippi” and “2000 Blues” leaned into their blues roots, while “Doubleback”—featured in Back to the Future Part III—gave them another high-profile hit. It was the final album in a remarkable trilogy that defined ZZ Top’s sound—and look—for years to come.\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eABOUT THE RHINO HIGH FIDELITY SERIES\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003eRhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging.\u003c\/p\u003e\n\u003cp\u003eTo ensure consistent sonic excellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. 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And it was a very natural thing, from the beginning.” - Stevie\u003c\/p\u003e\n\u003cp\u003e “... it stands up in a way you hope it would, by these two kids who were pretty young to be doing that work.” - Lindsey\u003c\/p\u003e\n\u003cp\u003eBUCKINGHAM NICKS, the only studio album by Lindsey Buckingham and Stevie Nicks as a duo, will be reissued for the first time on September 19. Originally released in 1973 and unavailable for decades, the album has been sourced from the original analog master tapes for its long-awaited return to vinyl.\u003c\/p\u003e\n\u003cp\u003eReleased on September 5, 1973, BUCKINGHAM NICKS quickly faded from commercial view but never disappeared from the cultural conversation. Recorded at Sound City Studios in Los Angeles and produced by Keith Olsen, the album introduced Nicks and Buckingham’s tightly wound harmonies and sharply contrasting songwriting voices across 10 tracks—ranging from the folk-rock shimmer of “Crystal” to the sunbaked strut of “Don’t Let Me Down Again.”\u003c\/p\u003e\n\u003cp\u003eIts legend only grew with time. In late 1974, Mick Fleetwood visited Sound City while scouting studios to record Fleetwood Mac’s next album. To showcase both his production work and the studio’s sound, Olsen blasted “Frozen Love” for Fleetwood in Studio A. The song reflected the full scope of the album’s ambition and chemistry—and immediately caught the drummer’s attention.\u003c\/p\u003e\n\u003cp\u003eSoon after, when Fleetwood Mac guitarist Bob Welch left the band, Fleetwood reached out to offer Buckingham the spot. Instead of agreeing, Buckingham insisted that he and Nicks were a package deal. Fleetwood agreed, and on New Year’s Eve 1974, the two officially joined Fleetwood Mac — launching one of the most celebrated chapters in the band’s history.\u003c\/p\u003e\n\u003cp\u003eThough their work with Fleetwood Mac would eclipse it commercially, BUCKINGHAM NICKS endures as a testament to what came just before: a partnership in full creative bloom. \u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eABOUT THE RHINO HIGH FIDELITY SERIES\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003eRhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Buckingham Nicks","offers":[{"title":"Default Title","offer_id":46433864581256,"sku":"603497813667","price":40.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0747\/7968\/9096\/files\/BuckinghamNicks_unnumbered.png?v=1787352437"},{"product_id":"fleetwood-mac-rhino-high-fidelity","title":"Fleetwood Mac (Rhino High Fidelity)","description":"\u003cp\u003e\u003cstrong\u003eAAA Cut From The Original Stereo Master Tapes By Kevin Gray\u003cbr\u003ePressed On 180-Gram Heavyweight Vinyl At Optimal\u003cbr\u003eHeavyweight Glossy Gatefold Jacket\u003cbr\u003eFeatures An Exclusive Insert With New Liner Notes From Anthony DeCurtis In Conversation With Lindsey Buckingham\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eLimited Numbered Edition Of 5,000\u003cbr\u003eExclusive To Rhino.com\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eReleased on July 11, 1975, Fleetwood Mac was the band’s tenth studio album and the second named after the group, sharing its title with their 1968 debut. Often referred to by fans as ‘The White Album,’ it also introduced Lindsey Buckingham and Stevie Nicks into the group’s core lineup, joining Mick Fleetwood, John McVie, and Christine McVie. The chemistry between the five was immediate—and transformative. The album’s sound marked a break from the band’s blues-based roots, pivoting toward a melodic, harmony-rich approach that would come to define a generation of FM radio.\u003c\/p\u003e\n\u003cp\u003eChristine McVie’s “Over My Head” was the first single from the album and the band’s first U.S. Top 20 hit. It was followed by “Rhiannon,” “Say You Love Me,” and “Landslide,” tracks that remain among the most beloved in the band’s catalog. While initial momentum was modest, the album gained traction through constant touring and word of mouth. Fifteen months after its release, Fleetwood Mac reached #1 on the Billboard 200 and went on to sell over 7 million copies in the U.S. alone.\u003c\/p\u003e\n\u003cp\u003e\u003cu\u003e\u003cstrong\u003eABOUT THE RHINO HIGH FIDELITY SERIES\u003c\/strong\u003e\u003c\/u\u003e\u003cbr\u003eRhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. These high-end, limited-edition vinyl reissues of classic albums represent the pinnacle of sound and packaging.\u003c\/p\u003e\n\u003cp\u003eTo ensure consistent sonic excellence, Kevin Gray will cut lacquers for all Rhino Hi-Fi releases, and Optimal will press the 180-gram vinyl records. 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The saxophonist’s groundbreaking work at Atlantic Records in the early 1960s helped expand the language of jazz and redefine the possibilities of improvisation. In honor of Coltrane’s upcoming centennial next year, Rhino is starting the celebration early on with a vinyl boxed set featuring six albums in mono, reissued as part of the acclaimed Rhino High Fidelity series.\u003c\/p\u003e\n\u003cp\u003eJOHN COLTRANE: 1960-1964 MONO (RHINO HIGH FIDELITY) brings together GIANT STEPS, COLTRANE JAZZ, MY FAVORITE THINGS, OLÉ COLTRANE, COLTRANE PLAYS THE BLUES, and COLTRANE’S SOUND.\u003c\/p\u003e\n\u003cp\u003eFew artists have altered the course of music as profoundly as Coltrane. From his early\u003cbr\u003ecollaborations with Miles Davis and Thelonious Monk to his revolutionary work as a bandleader, Coltrane’s relentless pursuit of new ideas reshaped jazz. His years at Atlantic captured a creative surge that bridged tradition and transformation and were followed by recordings that revealed a spiritual depth that defined his later work. As his centennial approaches, Coltrane’s legacy remains a benchmark for artistic courage and innovation.\u003c\/p\u003e\n\u003cp\u003eColtrane started sessions for his first Atlantic album right after playing on Davis’s masterpiece, Kind of Blue. Released in early 1960, GIANT STEPS introduced the “Coltrane Changes,” a revolutionary approach to chords still studied today. From the tenderness of “Naima” to the hard swing of “Mr. P.C.,” the album captures his blend of precision and lyricism. Inducted into the GRAMMY ® Hall of Fame in 2001, GIANT STEPS is one of jazz’s most influential albums.\u003c\/p\u003e\n\u003cp\u003eBuilding on the innovations of its predecessor, COLTRANE JAZZ (January 1961) shows him\u003cbr\u003eworking with greater openness and flow. Featuring the fluid motion of “Like Sonny” and the\u003cbr\u003econtemplative phrasing of “Village Blues,” it offers early glimpses of the sound Coltrane would soon achieve with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin\u003cbr\u003eJones—the classic quartet that would define the remainder of his Atlantic years.\u003c\/p\u003e\n\u003cp\u003eMY FAVORITE THINGS (March 1961) marked a major turning point for Coltrane, featuring his debut on soprano saxophone and a modal approach that opened new harmonic and emotional space in his music. His hypnotic interpretation of the Rodgers and Hammerstein title track became an unexpected hit, while standards like “Summertime” and “Every Time We Say Goodbye” showcased the expressive depth of his new quartet.\u003c\/p\u003e\n\u003cp\u003eDrawing on Spanish and North African influences, Coltrane expanded his modal explorations on OLÉ COLTRANE (November 1961). The extended title track, driven by two bassists and highlighted by Eric Dolphy’s flute, created a mesmerizing energy that pushed his quartet into new territory. The result was one of his most adventurous Atlantic recordings, bridging the freedom of his later work with the lyricism of this era.\u003c\/p\u003e\n\u003cp\u003eCOLTRANE PLAYS THE BLUES (1962) turns the blues form into a framework for harmonic invention and rhythmic interplay. Each track reveals a different facet of his sound, from the open dialogue of “Blues to Elvin” to the assertive drive of “Mr. Day.” Beneath its stripped-down surface lies some of Coltrane’s most direct and vital playing of the Atlantic years.\u003c\/p\u003e\n\u003cp\u003eMajestic and deeply expressive, COLTRANE’S SOUND (1964) distills the emotion of this period into six focused performances that balance structure and range. 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That transcendent quality was forged under great secrecy at Wally Heider Studios in Hollywood, where the group imposed a strict no-visitors policy while tracking with engineer Bill Halverson. The music from those intense sessions helped define an era, delivering some of CSN’s most legendary tracks like “Suite: Judy Blue Eyes,” “Long Time Gone,” and “Marrakesh Express.” A few weeks after the album was released, the trio took these songs to the stage for their historic live debut at Woodstock, performing for half a million people.\u003c\/span\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eAfter peaking at #6 on the \u003c\/span\u003e\u003cspan\u003eBillboard\u003c\/span\u003e\u003cspan\u003e 200, \u003c\/span\u003e\u003cspan\u003eCROSBY, STILLS \u0026amp; NASH\u003c\/span\u003e\u003cspan\u003e went on to sell over four million copies in the U.S., and in 1970, helped the trio win the GRAMMY\u003c\/span\u003e\u003cspan\u003e®\u003c\/span\u003e\u003cspan\u003e Award for Best New Artist. 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From the brooding power of “Equinox” to the wistful lyricism of “Central Park West,” it captures Coltrane refining his voice with renewed clarity and purpose. As Schwartz says in the liner notes, “He wasn’t aiming for perfection; he was aiming for truth.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eABOUT THE RHINO HIGH FIDELITY SERIES\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eRhino is synonymous with high-quality reissues, setting the standard with award-winning audio releases for the past 45 years. Now we're raising the bar with a new premium vinyl series, Rhino High Fidelity. 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